12/13/2023 0 Comments Spiral book of saw spoiler![]() But Adam was screwed from the second the key to his shackles went down that bathtub drain. How to beat it: Don’t be Adam, I guess? Gordon had a fighting chance of escaping this one, if he would have just acquiesced to Kramer’s demands and killed his trapmate using the conveniently provided poisonous cigarette. Lawrence Gordon (Cary Elwes) and photographer Adam (Leigh Whannell) kick off the now ten-film homage to backwards moralism: just two abducted dudes who awake to find themselves chained to rusty pipes in a shit-covered bathroom, staring down a dead body and a handful of cryptic clues. (See the Reverse Bear Trap - another stroke of genius from the original “Saw,” up next in our ranking - for details.) But John Kramer is at his most geniusly perverse when he’s playing mind games with his victims and the original Bathroom Trap established escape room horror in the 21st century. Why it’s brilliant: As a franchise, “Saw” found its theatrical center in the elaborate contraptions that lists like these are designed to celebrate. Image Credit: ©Lions Gate/Courtesy Everett Collection Keep reading for our 13 favorite exercises in brutality from the “Saw” franchise - listed in chronological order. Design is how it works.” It’s a sentiment that Jigsaw would likely agree with, as his personal sadism shines through in every step of each trap. Steve Jobs famously said that “design is not just what it looks like and feels like. ![]() (That standard was abandoned as the films got more outlandish, but was reintroduced for “Saw X,” which takes place just three weeks after the original “Saw.“) At first glance his traps look like something out of a Gothic museum - and even after learning about their nauseating purposes, the temptation to be impressed that he built them never quite goes away. ![]() The early “Saw” films famously ensured that all of the traps actually worked and could theoretically be built in real life. ![]() Kramer’s clever engineering often creates a horrifying marriage of form and function. If you’ve ever wondered what might have been produced if Rube Goldberg and Marquis de Sade hung out, look no further than a “Saw” trap. But the grotesque results often masks the creativity that goes into Kramer’s engineering. Over two decades and ten movies, Jigsaw and his proteges have robbed victims of their limbs, internal organs, fluids, and general dignity in a variety of traps. If they fail to perform his tasks in the impossibly short time windows that he gives them, Jigsaw feels that they have nobody but themselves to blame for their deaths. Instead he prefers to place his victims in elaborate DIY torture devices that force them to willingly inflict massive amounts of bodily harm on themselves in order to save their lives. While he’s probably responsible for more deaths, dismemberments, and general maimings than everyone reading this combined, he never holds the weapon himself. The man commonly known as Jigsaw is not a serial killer in any conventional sense of the word. It’s a statement that would elicit some pushback from his victims, but it feels like a fair phrasing of his perspective. In an early scene in “Saw X,” John Kramer (Tobin Bell) offers a succinct summary of how he chooses to spend his free time: “I help people enact positive change in their lives.”
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